"My family never made super 8 films, even though I grew up in the 60’s and 70’s.
We recorded sounds instead. My Mother was a singer. This was in Alabama and Tennessee.
I saw the movie Deerhunter with Meryl Streep when I was in high school and decided I wanted to be a film actress.
The first footage I ever shot was for a film I had written called Found a Peanut.
Someone I knew had some 16mm film he didn’t want, and someone else I knew had a bolex. We shot two hours worth. The only footage I liked was a scene of me getting shot and falling over on the beach. I never finished the film. Until ten years later when I edited it with Fil Ruting.
I met Fil at CalArts and after we got out of school, I started taking him things I had shot and he would help me make sense of it. I would never have finished any film if I hadn’t met Fil.
Patricia Stone shot Tumbleweed for me on our way out to the desert on a high 8 video camera my Dad got for me. The Sea Beneath Which She Sleeps was shot at the Biltmore Hotel with Tessa Chasteen, again on high 8. It was shot to be part of an installation.
I have started focusing on very small moments. Those are the things that can send you over the moon. Her hair blowing or the way he looks over his shoulder to make sure you are following him. And at the same time I want to lock myself in my room and watch all the Fassbinder films. I did not become a film actress, so I try to make my life as cinematic as possible."
Terri Phillips

The Sea Beneath Which She Sleeps, 2003

Tumbleweed, 2002

Gone, 1999

Videos on ISSUE 1 of the DVD

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